This photo was snapped in February 2007 during the week before the Oscars were handed out. Hollywood Boulevard was closed to traffic for many blocks around the Kodak Theater, creating snarls and backups on all the other major roads, but I was able to find and park in one of three lots adjoining the back of the Hollywood Wax Museum so I could attend one of the screenings in a festival showcasing new Italian films at Grauman’s Chinese, on the same crowded block as the Kodak. When I got back to the car, night had fallen and the lights were on, and I knew I had to preserve this vision of Hollywood, a company town where billboards touting new product seem bigger and more numerous than anywhere else in the world, and where every actor hopes to achieve the immortality of  John Wayne, Elvis Presley, Marilyn Monroe, Charlie Chaplin. I was especially taken with the way the museum’s mural incorporates the utility lines on the sides of the building. Nothing gets in the way of promotion in Tinseltown.    

Some weeks later, I became acquainted with a couple in my neighborhood who have a little boy who’s just graduated from being a rug rat to zooming around on his own two feet. I’ve had this setup in my mind’s eye since seeing it in another photographer’s display a couple of years ago. I don’t feel at all guilty about stealing his idea; he probably stole it from someone else. Besides, the feet in his shot were so perfectly lovely, so sentimentalized, so “commercial.” I’d never do that, and I haven’t. This shot was taken Memorial Day afternoon at the park at the end of the block. The boy’s feet will never again be this small as he grows and grows and grows, and he’ll always have this picture as a memento of his babyhood. No doubt that he’s with Daddy. I call it “Tootsies.”

And here’s how “Tootsies” looks in the window at Made with Love. The family adores it, and so does Celeste. Fits perfectly with Fathers Day, doesn’t it.

For “Actualities,” on display at Made With Love Artisan Bakery & Cafe in Downtown Jersey City through June 28th, I had the photo printed on metal, choosing the “sheer” option. This allows some of the metal to show through in “high key” areas of a photo. It took me a couple of days after the delivery to warm to the results, and I’m still not 100 percent liking it. In my opinion, a successful photo has to look good in all levels of light, and my New York pidgeon loses some of its punch under low light. Below is a photograph of the metal print in the “Actualities” show. See what you think.

Below is a photograph I took in southwestern Pennsylvania only a few miles north of the border with Maryland. We are looking out to the porch and trees beyond a roadway from inside the Stone Inn, a circa 1822 building on the Braddock Road, which dates from the 1750s and was incorporated into one of the nation’s first improved highways built by the federal government. Started in the early 1800s, what became known as the National Road carried multitudes of settlers and travelers from Baltimore west to Ohio. Now a large and comfortable restaurant with a bed and breakfast operation upstairs, the inn has always been a stopping place for rest and hospitality.  I found the dining room to be one of those places with a pleasant, calculated historic feel but no particular antique vibe.  I found the outside view compelling. The thrill, if you feel it, is in looking out over a byway that’s been busy with commerce every single day for centuries and a landscape that has hardly changed except as it grew and died back and then renewed itself. I wanted to somehow capture that, without being too literal or stuck in any particular year.

After much debate with myself, I had this photograph printed large and on canvas, and it drew many favorable comments in my first solo show of my work, in June at Made With Love Artisan Bakery & Cafe in Downtown Jersey City. Looking out across time is someting many of us enjoy doing, and this will add an architectural element to any wall it’s on.

Hiroshi Kumagai, a Newark artist whose work i’ve admired before, has work on display in this inaugural show at The Distillery. Working from photographs, he creates large, colorful works with hand-cut vinyl pieces. His work is also being seen through April 2, 2010, in the “Broken Dialect” show at the Index Art Center, on Broad Street, in Newark.